ENL 5216 Fall 2023 Fumo
Before Canterbury, there was Troy. The great medieval love-epic Troilus and Criseyde is Geoffrey Chaucer's one complete, profoundly realized masterpiece: a narrative of love, power, desolation, and deceit that unfolds in the final days of a doomed civilization to which several great European powers traced their origins. It is arguably Chaucer's best poem.
In this course we will intensively explore the poetic texture, generic complexity, and rich intertextuality of Troilus and Criseyde by situating it within the European context of the Troy legend, particularly as incarnated as a romance narrative. First we will study the chronicles of the late-classical Dares and Dictys (supposed eye-witnesses of the Trojan War) and medieval renderings of the Troy legend by Benoît de St-Maure and Guido delle Colonne. We will then work closely with Chaucer's most immediate source, Boccaccio's Il Filostrato, which Chaucer radically revised, implicitly challenged, and creatively supplemented. (All such foreign-language materials will be read in English translation.) Our main efforts involve closely reading the five books of Chaucer's Troilus, together with a healthy cross-section of 20th- and 21st-century criticism on the poem. Finally, we will explore patterns of reception in several intriguing early responses to Chaucer's poem by John Lydgate, Robert Henryson, William Shakespeare (here's your chance to read Troilus and Cressida, one of Shakespeare's most perplexing "problem plays"!), and John Dryden.
N.B. We will read Chaucer's Troilus strictly in the original Middle English. No prior experience with Middle English is necessary, though learning it will be a formal expectation of the course. Translations are not permitted. Similarly, no prior knowledge of the Troilus legend or ancient Trojan epic is expected.
Requirements: This course fulfills the general literature requirement for one course pre-1660 or one course pre-1800. It also satisfies the requirement for coursework in the following Area of Concentration: Medieval and Early Modern British Literary and Cultural Studies through 1660; and a Literary Genre (Poetry).