Christopher Okonkwo

WMS 416
African Literature, African American Literature, Postcolonial Literary and Cultural Studies, Diaspora, Comparative Literature, Literature and Music, Chinua Achebe and Toni Morrison Studies

Christopher N. Okonkwo, Professor, returned to the English department at Florida State University in fall semester 2022 as a full professor after twenty-one years at the University of Missouri-Columbia. He is an alum of the University of Nigeria, Nsukka (1989), Florida A&M University (1993) and FSU, from which he got his doctorate in 2001.    

 A seminal study, his first book A Spirit of Dialogue: Incarnations of Ogbanje, the Born-to-Die, in African American Literature (University of Tennessee Press, 2008) examines the cultural, literary, and philosophic incarnations of the West African spirit-child myth in contemporary African American fiction. Equally pathbreaking and the winner of the 2022 College Language Association book prize, his second book Kindred Spirits: Chinua Achebe and Toni Morrison (University of Virginia Press, 2022), makes major contributions to Achebe studies, Morrison studies, and Achebe-Morrison scholarship. It intervenes in various questions: how we have long discussed Morrison’s and Achebe’s literary careers and their trilogies, and those individual novels; how we have customarily talked about the Achebe-Morrison relations and the Morrison-African literature connections. And perhaps most important, it orients also in a latitudinal, transatlantic, East-West (Africa-America) direction what has for decades been a largely longitudinal, North-South, Europe-Africa posture of not just Achebe criticism ever since the publication of Things Fall Apart, but the literary discourses on modern and contemporary African literature at large.  


  • Kindred Spirits: Chinua Achebe and Toni Morrison. University of Virginia Press, 2022 Winner, 2022 College Language Association Scholarship Award
  • A Spirit of Dialogue: Incarnations of Ògbañje, the Born-to-Die, in African American Literature. University of Tennessee Press, 2008


  • “Sound Statements and Counterpoints: Ike Oguine’s Channeling of Music, Highlife and Jazz, in A Squatter’s Tale.” College Literature 46.3 (2019): 628-658.
  • “Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava’s Fiction,” Research in African Literatures. 47.4 (2016): 152-170.
  • “Chinua Achebe’s Blue Note: Toward a Critical Recording of Things Fall Apart’s Blues and Jazz Sensibility.” Research in African Literatures 47. 1 (2016): 109-127.
  • “‘Coming to America’: Ike Oguine’s A Squatter’s Tale and the Nigerian/African Immigrant’s Narrative.” African Literature Today 27 “New Novels in Africa” (2009): 130-144.
  • “‘It Was Like Meeting an Old Friend’: An Interview with John Edgar Wideman.” Callaloo: A Journal of African Diaspora Arts and Letters 29.2 (2006): 347-360.
  • “Of Caul and Response: Baby of the Family, Ansa’s Neglected Metafiction of the Veil of Blackness.” CLA Journal XLIX. 2 (2005): 144-167.
  • “A Critical Divination: Reading Sula as Ogbanje-Abiku.” African American Review 38.4 (2004): 651-668.
  • “Space Matters: Form and Narrative in Nervous Conditions.” Research in African Literatures 34.2 (2003): 53-74.
  • “Suicide or Messianic Self-Sacrifice: Exhuming Willa’s Body in Gloria Naylor’s Linden Hills.” African American Review 35.1 (2001): 117-131.
  • Of Repression, Assertion, and the Speakerly Dress: Anzia Yezierska’s Salome of the Tenements.” MELUS: The Journal of the Society for the Study of Multi-Ethnic Literature of the United States, 25.1 (2000): 129-145.

Publications By This Author