Publications

• “Theatrical Environments”. In Rory Loughnane and Will Sharpe (eds.), The Oxford Handbook of Shakespeare and Authorship (Oxford: Oxford University Press, forthcoming)
• “’Speak’st thou from thy heart”: Performing the Mother-Nurse and Clown-Servant in Romeo and Juliet,” Skenè: Journal of Theatre and Drama Studies 8.2 (December 2022), 169-95
• Shakespeare and the First Hamlet, ed. Terri Bourus (Oxford and New York: Berghahn, 2022)
• “Is Q1 Hamlet the First Hamlet?”. In Shakespeare and the First Hamlet (2022), 1-6
• “The Good Enough Quarto: Hamlet as a Material Object.” In Shakespeare and the First Hamlet (2022), 90-108
• “Arden of Faversham, Richard Burbage, and the Early Shakespeare Canon”. In Rory Loughnane & Andrew Power (Eds.). Early Shakespeare, 1588-94. Cambridge: Cambridge University Press (2020), 200-219
• "Editing and Directing: Mise en page, mise en scene", in Stage Directions and the Shakespearean Theatre, ed. Gillian Woods and Sarah Dustagheer (London: Bloomsbury Arden Shakespeare, 2017).
• The New Oxford Shakespeare, Complete Works: Critical Reference Edition, gen. ed. Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan, 2 vols. (Oxford University Press, 2017).
• Terri Bourus and Farah Karim-Cooper, "All's Wells that Ends Well 4.3: Dramaturgy,' in The New Oxford Shakespeare: Authorship Companion (Oxford University Press, 2017).
• The New Oxford Shakespeare, Complete Works: Modern Critical Edition, gen. ed. Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan (Oxford, 2016).
• "Enter Shakespeare's Young Hamlet, 1589," Actes de Congres de la Societe Francaise Shakespeare, 34 (2016), online
• "Second Looks: Arden of Faversham", Shakespeare Bulletin 33 (2015), 693-8.
• Terri Bourus and Gary Taylor, “Measure for Measure(s): Performance-testing the adaptation hypothesis”, Shakespeare 10 (2014), 363-401.
• Young Shakespeare's Young Hamlet: Print, Piracy, and Performance (Palgrave 2014)
• "Counterfeiting Faith: Middleton's Theatrical Reformation of Measure for Measure" in Stages of Engagement: Drama and Religion in Post-Reformation England," (Duquenes University Press, 2014).
• The Creation and Re-Creation of 'Cardenio’, ed. Terri Bourus and Gary Taylor (Palgrave, 2013).
• “Poner en escena: The History of Cardenio,” in The Creation and Re-Creation of 'Cardenio’ (Palgrave, 2013).
• "It's a whole different sex!": Women Performing Middleton on the Modern Stage,’ in The Oxford Handbook of Thomas Middleton Studies (Oxford University Press, 2012).
• "May I be metamorphosed": Cardenio by Stages, in The Quest for Cardenio (Oxford University Press, 2012).
• Digital Editor: The Compendium of Renaissance Drama (CORD): Thomas Kyd’s Cornelia, Barnabe Barnes’s The Devil’s Charter, John Marston’s Jack Drum’s Entertainment, and Beaumont and Fletcher’s The Island Princess, The Coxcomb, and The Bloody Brother.
• Text Editor: Hamlet, Sourcebooks MediaFusion New Series Shakespeare (Sourcebooks. 2006).
• Text Editor, A Midsummer Night’s Dream (Sourcebooks, 2006)
• “Shakespeare and the London Publishing Environment: The Publisher and Printers of Q1 and Q2 Hamlet,” Analytical & Enumerative Bibliography 12 (2001): 206-228.
• “The First Quarto of Hamlet in Film: The Revenge Tragedies of Nicol Williamson and Mel Gibson,” Online journal, August, 2001.
• Editor and Essayist: Shakespeare’s ‘Hamlet’: Complete Study Edition (New York: IDG Books Worldwide, 2000)