Special Issue: Transnational Beckett

Edited by S.E. Gontarski, William Cloonan, Alec Hargreaves, and Dustin Anderson

Contents

S.E. Gontarski: Introduction: Viva, Sam Beckett, or Flogging the Avant-Garde
Pages 1-11 [PDF]

Edward Albee: Directing Beckett: An Open Letter
Pages 12-16

James Knowlson: Samuel Beckett: The Intricate Web of Life and Work
Pages 17-29

Bruno Clément: From Figure to Figure Via the Image
Pages 30-45

Richard Begam: Beckett’s Kinetic Aesthetics
Pages 46-63

Garin Dowd: ‘All out’: The dismantling of the face in Murphy
Pages 64-84

Shane Weller: ‘All the Dead Voices’: Beckett and the Ethics of Elegy
Pages 85-96

Dirk Van Hulle: Bilingual decomposition: the ‘perilous zones’
in the life of Beckett’s texts

Pages 97-109

Mark Nixon: ‘the remains of trace’: intra- and intertextual transferences
in Beckett’s mirlitonnades manuscripts

Pages 110-122

Karine Germoni: assez  ou l’« art et la manière » de générer et combler le(s) manque(s) Etude génétique, linguistique et stylistique
Pages 123-136

Emilie Morin: ‘Gathering Thinglessness’: Beckett’s Drama, Scarcity,
and the Irish Literary Revival

Pages 137-149

Ulrika Maude: ‘whole body like gone’: Beckett and Technology
Pages 150-160

Paul Stewart: ‘All known’: Disjunction and Conjunction
in Reading Ping in the Oeuvre

Pages 161-168

Paul Shields: De-oedipalizing Beckett
Pages 169-183

Mireille Bousquet: Beckett, Deleuze et la langue étrangère
Pages 184-196

Anne-Cécile Guilbard: « Je ferme les yeux pas les bleus » (pour une esthétique
du regard chez Samuel Beckett)

Pages 197-203

Susan Mooney: Feeling Fear, Narrating Feelings: The Decomposing Masculine Subject in Molloy, Malone Dies, and The Unnamable
Pages 204-222

Yann Mével: Lire Beckett avec Starobinski
Pages 223-236

Pierre Taminiaux: Mots et Choses : Beckett et l’Art
Pages 237-246

Agnieszka Tworek: Endgame Incarcerated: Prison Structures in Beckett’s Play
Pages 247-258

Michael D'Arcy: Adorno, Beckett, and ‘the duty of reason’ After Auschwitz
Pages 259-277

Rina Kim: Memories and Melancholia in Beckett’s four Novellas and Molloy
Pages 278-289

Dustin Anderson: Delete, Invert, Repeat: Beckett’s Watt a Response to Stein
Pages 290-303

© 2007 Journal of Beckett Studies
Florida State University

sgontarski@fsu.edu