DAVID IKARD, Associate Professor, Ph.D, University of Wisconsin-Madison (2002), specializes in twentieth century literature (with a specialty in African American), black feminist criticism, hip hop culture, and black masculinity studies. In 2007, he published his first book, Breaking The Silence: Toward a Black Male Feminist Criticism and was also awarded a Ford Postdoctoral Fellowship. Co-authored with Martell Teasley, Ikard's forthcoming book Nation of Cowards: Black Activism in Barack Obama's Post-Racial America, explores the disconnect between the national hype over Barack Obama's historical election to the presidency and the ever-increasing economic distress of the black community that Attorney General Eric Holder broached in his controversial "race speech" in 2008. Ikard recently co-edited a special edition on black male feminism with Mark Anthony Neal in Palimpsest: A Journal on Women, Gender, and the Black International. He is also near completion on a monograph, Wrestling with Angels: Reconsidering Black Empowerment in the Twenty-First Century, that builds on and extends his engagement with gendered, classed, and raced forms of complicity in Breaking the Silence. Wrestling with the Angels considers whether a non-hierarchical strategy of empowerment is even feasible in the twenty-first century given the surge of socioeconomic incentives for African Americans to accommodate the status quo. From a cultural standpoint, it investigates the nuanced ways in which African American writers and artists across various creative media have negotiated this dilemma of incentives over time, paying close attention to "unorthodox" patterns of resistance that typically fall off the radar of intellectual consideration.
REPRESENTATIVE PUBLICATIONS
- Nation of Cowards: Black Activism in Barack Obama's Post-Racial America, (co-authored with
Martell Teasley), forthcoming, Indiana University Press.
- Breaking the Silence: Towards a Black Male Feminist Criticism. LSU, 2007.
- Guest Co-Editor with Mark Anthony Neal: Palimpsest: A Journal On Women, Gender, and the Black International. "Transforming Black Men in Feminism" (forthcoming).
- "So Much of What We Know Ain't So," : The Other Gender in Toni Cade Bambara's The Salt Eaters, Obsidian III, (Vol. 4, No. 1 Spring/Summer 2002 p. 76-100)
- "Easier Said Than Done: Making Black Feminism Transformative for Black Men" in Palimpsest: A Journal On Women, Gender, and the Black International. "Transforming Black Men in Feminism" (forthcoming).
- "Who Speaks For Precious? : A Black Feminist Analysis". Special Issue on Feminism in African and Black Diaspora Journal. (forthcoming).
- "Can We Talk?: The Tenacity of Hyper-Masculinity and Why It Hurts Us All." Special Issue on Black Sexuality in Palimpsest: A Journal On Women, Gender, and the Black International. (forthcoming)
- "Love Jones: A Black Male Feminist Critique of Chester Himes If He Hollers, Let Him Go." African American Review, 2002.
- "White Supremacy Under Fire: The Unrewarded Perspective in Edward P. Jones' The Known World." MELUS, fall 2011.
- "Barack Obama and the Politics of Race: The Myth of Postracism in America," Journal of Black Studies. Co-authored with Martell Teasley. January, 2010.
- "Ruthless Individuality and the Other(ed) Black Women in Zora Neale Hurston's Their Eyes Were Watching God," CLA Journal. September, 2009.
HONORS AND AWARDS
- University Teaching Excellence Award Nominee, 2009,2010
- Innovative Teaching Grant, 2006
- Chancellor's Research Award, 2004
- Research Incentive Grant, 2004
- Gier Diversity Incentive Grant, 2004, 2005, 2007
- Ford Postdoctoral Fellowship, 2007